For a perfect combination, a vase of flowers and a pretty girl MARY GRAHAM takes some walloping.
Mary is a long-legged Scot, black of hair and brown of eye.
And that’s another combination—all adding up to as pretty a picture as you'll find outside of any art gallery.
Somewhere around Ealing in West London, there's a lot of charm walking about, and you can include NINA SWALLOW in that category. Walking around the shops and stores Nina adds up to a curvy eyecatcher and is in fact resident model for a firm of coat manufacturers. Her current ambition, naturally, is to become a top free-lance fashion model and if the charm of good looks counts at all, Nina can't miss.
Span No 176 - April 1969
All Scots girls are bonny, of course, and this makes them naturally curvy. Included among curvy Scots you mustn't miss when you're photographing natural beauties up in the Highlands is Secretary JOYCE FLAWS, nineteen years old with vitalistics of 37-24-37.
Beautiful Britons No 166 - September 1969
The fact is, if your name is NICOLA SIEFF and you look spectacularly curvy you can't lose. In other words, you've no chance of being a wallflower, and if your aim in life is to be proposed to you've no problem. Since Nicola hit London town last year a score of the nicest chaps have wanted to marry her, but Nicola says it's not for her until she's 25.
Span No 134 - October 1965
It's not always easy to concentrate when getting out of a car. You have your mind on your shopping, but not your legs, and before you can say “Bother it,” you've got a run in your nylons. Still, if you look as pretty as ANTONIE MERLY when you're fixing the run it's quite a consolation. And if you look as fetching as RENATE KLEEMAN when you're perched on the bonnet you can go to anyone's head. Antonie and Renate are both from West Germany.
Span No 134 - October 1965
When you're out and about you can often run into a shopping basket or pram, or even a brick wall if you're walking with your head down. We knew a feller who always kept his eyes to the ground in the hope of spotting a spare fiver. He finished up with his head jammed in a letter box. It's all eyes to the front whenever you meet a vision like NICOLA TAYLOR, and if you run into a brick wall it can only be because you've naturally gone all dizzy.
Span No 176 - April 1969
Footless and fancy free used to be a popular expression, but with the coming of the new mod fashions, fancy is no longer free it is in strong competition with the plain sheer stocking. On these and on the following pages, MODern Life presents, from London, England. Dawn Grayson and Penny Winters in the battle of the Stockings. Dawn, wearing the plain, sheer stockings, is one of London's top models. Penny, in plaid stockings, is one of England's leading strippers.
The battle is on. Here Penny and Dawn face each other. Dawn leads with long, leggy advance with no holds barred. Penny on the other hand, counters with a foot-on-bench and peeka-boo lead.
Not to be out manoeuvred, Dawn returns with a full body attack with arms high, chest out, stomach in and knees bent. Here Dawn excels in classic body style. On the other hand, Penny relaxes and awaits the opportunity to counter. She extends her long lead and covers up with her fancy gams close to her chest. Then, to confuse her opponent, she drops into a chair, but she keeps her fancy stockings out in front of her. The straight attack may be best, she observes, as she stands fully erect in the centre of the arena. But no matter how you look at it. the battle of the stockings appears to be a draw.
Realizing that the battle may end in a draw, both girls open up. Penny opens up with a straight right to the patterned stocking. Then raising her skirt high she exposes the full extent of her ability. Dawn, taking advantage of her opponent's strategy, crosses her right over to the top of her left plain, sheer stocking.
As the contest draws to a close, both contestants expose their finer points. Dawn with a right to her head and a left to permit her plain, sheer stocking to score. Penny turns to her left and scores with a right to her patterned stocking. The winner? There are none.
Modern Life V1 No 2 - Winter 1968
Girl with dreamy brown eyes is DENISE BAKER, a very dishy addition to the London scene, and if you've got a girlfriend just like her, aren't you lucky? You don't have to spend rainy days sticking stamps in your album, you can call her up and have some scintillating crosstalk. How are you on telephonic crosstalk?
Beautiful Britons No 166 - September 1969
If you know any blonde who's livelier than HAZEL SHAW, you know a blonde who's so bubbly she's liable to go off pop. Hazel simply bounces through each day in her work as a photographic model, leaving some photographers breathless from the effect of trying to contain a leaping rainbow. It's also like trying to lasso a leprechaun, but it's lots of fun, and it's better than photographing still life.
Span No 127 - March 1965
Girl going places is SHARON STAPLES. blonde dancer with the right line in curves. Sharon's a Cheshire girl, but she's not often home these days. Her dancing feet are usually carrying her off to places like Monte Carlo and Rome, for she is a very mobile trouper.
That faraway look in her eyes is nothing to do with those faraway places, however. Except in respect of any connection with Italian served spaghetti. That's right, she's hungry.
Well, you can't be a growing girl and not want to eat. It's eating the way Sharon does that makes her look the way she is.
Not that Sharon's accent is on food. It's all on that sensational figure of 39"-24"-39". The look in her eye now? "Ah, here come the tea and biscuits."
Spick Extra No 12 - Winter 1960
Coming alive every evening in the bright lights of West Berlin is ANGIE HOLT, a fair-haired, blueeyed go-go-go girl.
Angie's world is the pop world, highlighted by her passionate adoration of the Beatles and her devotion to all groups which have brought to the beat clubs and the discotheques the music and the sounds which delight the ears and hearts of the young.
During any sunny week-end Angie likes to get into the open air, reserving her swinging reaction to music to the evenings, but it must be pretty obvious she makes as good a picture in the open air as she does when living it up in discotheque.
There's a military look about her cap and dress, and any regiment of signallers which would like to sign her on and teach her semaphore had better apply while they're still under the influence of optimism.
Span No 161 - February 1968
